Showing posts with label Ben E KingAtlantic Records. Show all posts
Showing posts with label Ben E KingAtlantic Records. Show all posts

Thursday, July 19, 2012

June 19, 1958: After a series of disputes over money (and a fistfight with the manager of Harlem's famous Apollo Theater) A NEW DRIFTERS LINE-UP EMERGES...






July 19, 1958: Drifters manager George Treadwell fires the entire group and installs the existing group—Ben E. King  and the Five Crowns--in their place, renaming them the Drifters…




This lineup  featured a tenor lead by the name of
Ben E. King



Ben E King and The Drifters would prove to be the most popular critically and commercially, line-up for the group, releasing hits like…

 "There Goes My Baby"



"This Magic Moment" 




AND

"Save the Last Dance for Me"


    RELATED STORY

THE USE OF ANY COPYRIGHTED MATERIAL IS USED UNDER THE GUIDELINES OF "FAIR USE" IN TITLE 17 & 107 OF THE UNITED STATES CODE. SUCH MATERIAL REMAINS THE COPYRIGHT OF THE ORIGINAL HOLDER AND IS USED HERE FOR THE PURPOSES OF EDUCATION, COMPARISON, AND CRITICISM ONLY. NO INFRINGEMENT OF COPYRIGHT IS INTENDED 

Thursday, July 5, 2012

July 6, 1960 in Tropical Jon's EVOLUTION OF ROCK 'n ROLL: Ruth Brown, Dante And The Evergreens, The Olympics, Ben E. King and Jimmy Jones play at The Apollo Theater, Harlem, New York City...




Ruth Brown was supporting her latest album “Miss Rhythm”







Dante and the Evergreens did a cool cover of The Cadillacs “Speedo”


And they were tearing up the East Coast Charts with their version of Alley Oop…




  
 The Olympics stole the show with “Big Boy Pete”








And they had ‘em dancin’ in the aisles with “Shimmy Like Kate”

Ben E. King, hot off his stint with the Drifters, was promoting what would be his incredible smash when it would be  released later in the year…“Spanish Harlem”…


 Jimmy Jones for sure was pushing his UK hit tune “Good Timing” which would be his only hit until 1977 when he started really producing…


ANOTHER INCREDIBLE SHOW 
AT THE APOLLO!

THE USE OF ANY COPYRIGHTED MATERIAL IS USED UNDER THE GUIDELINES OF "FAIR USE" IN TITLE 17 & 107 OF THE UNITED STATES CODE. SUCH MATERIAL REMAINS THE COPYRIGHT OF THE ORIGINAL HOLDER AND IS USED HERE FOR THE PURPOSES OF EDUCATION, COMPARISON, AND CRITICISM ONLY. NO INFRINGEMENT OF COPYRIGHT IS INTENDED 

Sunday, July 1, 2012

July 2, 1955: The Drifters play the fifth night in a week of appearances at Apollo Theater, Harlem, New York City, USA.



In 1953, Clyde McPhatter formed a group which he named “The Drifters”   

And ‘drift’ they did, as lead singers followed in McPhatter’s vocalist’s spot throughout the group’s thirteen year recording career—From 1953 through 1966, with each incarnation of the group maintaining  as consistently high standards as the one it proceeded,  they churned out hit after hit… Lead vocalists for the Drifters who made it to the Hall of Fame include; 
Clyde McPhatter






Ben E King

Rudy Lewis









Johnny Moore Bottom Right  and Charlie Tompson top center


 Bill Pinkney and
 Andrew Thrasher                    


By the time of the 1955 Apollo show, Clyde McPhatter was already gone to the army—First tenor Gerhart Thrasher had shifted to lead and his brother Andrew Thrasher was baritone, and Bill Pinkney shifted from baritone to bass. Never-the-less, the group was still flying high with the hits originally recorded with McPhatter

—Tunes like MONEY HONEY…


As well as Whatcha Gonna Do,  the last tune recorded with McPhatter…


This line-up, without McPhatter,  would have a double sided R&B hit (Adorable b/w Steamboat) in September of 1955 and were promoting the two tunes with the summer shows…


Possibly (but I can’t verify this), they were also working out what would be their February 1956 smash hit Ruby Baby...

(something like what they did in this1956 Alan Freed Show)…


But, the show at Harlem’s Apollo Theater on July 2, 1955 was certainly a rocker, even without Clyde McPhatter, and the best was yet to come  (including that Ben E. King led line-up starting in 1959)…

THE USE OF ANY COPYRIGHTED MATERIAL IS USED UNDER THE GUIDELINES OF "FAIR USE" IN TITLE 17 & 107 OF THE UNITED STATES CODE. SUCH MATERIAL REMAINS THE COPYRIGHT OF THE ORIGINAL HOLDER AND IS USED HERE FOR THE PURPOSES OF EDUCATION, COMPARISON, AND CRITICISM ONLY. NO INFRINGEMENT OF COPYRIGHT IS INTENDED